23 MAR 2012 by ideonexus

 Embryonic Recapitulation

By considering the embryological structure of man - the homologies which he presents with the lower animals - the rudiments which he retains - and the reversions to which he is liable, we can partly recall in imagination the former condition of our early progenitors; and we can approximately place them in their proper position in the zoological series. We thus learnt that man is descended from a hairy quadruped, furnished with a tail and pointed ears, probably arboreal in its habit, and an in...
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Darwin seems to hint at it in this passage.

15 JUN 2011 by ideonexus

 French Encyclopedists Disparage Wildlife in the New World

We formerly remarked, as a singular phaenomenon, that the animals in the southern provinces of the New Continent, are small in proportion to those in the warm regions of the Old. There is no comparison between the size of the elephant, the rhinoceros, the hippopotamus, the camelopard, the camel, the lion, the tiger, &c. and the tapir, the cabiai, the ant-eater, the lama, the puma, the jaguar, &c. which are the largest quadrupeds of the New World: The former are four, six, eight, and...
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Buffon states that mammals of North America are smaller and its Native Americans less developed than European life, owing to the continent's lack of resources and cold climate. Reptiles and insects thrive, however.

01 JAN 2010 by ideonexus

 Oulipo - "workshop of potential literature"

Finally elaborated, this definition remains the Oulipo's rule. In his conversations with Charbonnier, Queneau returns to it nearly word for word: The word "potential" concerns the very nature of literature; that is, fundamentally it's less a question of literature strictly speaking than of supplying forms for the good use one can make of literature. We call potential literature the search for new forms and structures that may be used by writers in any way they see fit. Finally, and more recen...
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Example: a book of poems, with each line of the poem given its own cut on the page, so that you can flip individual lines and create new poems. An early form of mashup.